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  • Marc A. Price 12:10 pm on September 25, 2008 Permalink
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    CIAM: Anonymous | PopMatters Review 

    Anyone that covers a Velvet Underground song on a record is already on shaky ground in my book. If that cover version happens to be terrible then the book is closed on them and they are no longer allowed to be my friend. CIAM are such a band. They will not receive a Christmas card this year. However, I know there are people out there that are curious. So, the record is free from http://www.ciammusic.com/. If you really must then you can get it from there.

    With track titles such as “Misunderstood”, “Here I Am”, and “Looking for Love” CIAM are pushing the right buttons for the disaffected youth. Jeff Shapiro’s vocals are a predictable baritone on most of the tracks, sounding not unlike a young Wayne Hussey at times. Furthermore, a spotty teenager with no friends probably wrote the lyrics. Not a great start.

    [From CIAM: Anonymous < Music | PopMatters]

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  • Marc A. Price 12:05 pm on September 24, 2008 Permalink
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    DJ Yoda: FabricLive 39 – PopMatters Review 

    DJ Yoda - Fabric Live 39

    This was a lot of fun and I did use the CD for a party. It went down a storm with only a few people asking “what the hell is this?” …but there are always such muppets at a party. It was my party and I’ll play what I like.

    The Fabric nightclub in London is one of the capital’s hottest venues. Many international DJs hit this club, which prides itself on its very broad music policy. The range of music played inside can be sampled by perusing the FabricLive Mix Series selection of releases, of which this is the 39th episode. DJ Yoda is in the house this time, and he takes full advantage of the huge palette afforded him.

    [From DJ Yoda: FabricLive 39 < Music | PopMatters]

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  • Marc A. Price 12:00 pm on September 19, 2008 Permalink
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    Lowlight: Bloodline < Music | PopMatters 

    I didn’t like this record at all. It did nothing for me and I do not condone or advertise it on account of its dullness.

    The cover of Bloodlines looks like it was lifted from an episode of the X-Files. It draws you in with its mystery, two people running into the light. They are running into the unknown, running from something equally unknown and unknowable.

    [From Lowlight: Bloodline < Music | PopMatters]

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  • Marc A. Price 11:02 pm on September 12, 2008 Permalink
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    The Death Set: Worldwide | PopMatters Review 

    Death Set - Worldwide

    Sometimes records come along that blow away all cobwebs and preconceptions of what music should be like. This one just make you think damned hard. It is a school bully of a record that duffs you up until you like it. It is lots of fun but you really have to stick with it.

    As usual here is an excerpt. The full review is on PM.

    Eighteen songs, 26 minutes. You just know that with statistics like that, the CD that you have put into you player is going to be out of the ordinary. The longest song on this album is two minutes and 24 seconds. To be honest if the songs were any longer your head might just cease to be in a fit of pique.

    [From The Death Set: Worldwide < Music | PopMatters]

    Listened to: Heard It All Before from the album “Worldwide” by The Death Set

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  • Marc A. Price 8:35 pm on September 3, 2008 Permalink
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    The Contrast Live Review 

    The Contrast received a nice write up for their recent gig on home turf. Here it is in full with a link to the magazine that it came from.

    The Contrast
    Unity @ Goodbarns Yard, Peterborough – July 31 2008
    The Contrast are a ‘proper band’. Not in terms of success, although in that sense too they are a ‘prop er band’. They have gained recognition in America, recording five albums on a New York-based record label, and received plenty of radio play and media cove

    rage on that side of the atlantic. But a ‘proper band’ in terms of their music.

    The songs they offer us here at Goodbarns tonight – and they must play for approaching an hour – are the sort of old school, fully rounded songs which good, experienced musicians used to write before this new era of bands having to be flavour of the minute became… well…flavour of the minute.

    Sounding generally like the sort of musical genre that is home to the likes of REM and, more particularly, Elvis Costello, it is not difficult to see why The Contrast would find an enthusiastic audience in the US. What is probably more surprising is that they haven’t quite achieved the same recognition in their native country.

    They are at once simple and complex. Watch rhythm guitarist Kieran Wade, and you’ll see that the songs are rooted mostly in basic open chords. At the same time, front man Dave Reid is capable of the sort of guitar solos that aspiring shedders would die for, but never plays them for the sake of it, only ever to add something to the music. It’s this fusion of simplicity and complexity, the balance between basic structures and technical ability used sparingly, and the synergy of good lyrics and strong melody, which put these songs, and this band, in a class above.

    As if to remind us that they are not entirely American-influenced, a cover of The Beatles’ ‘Tomorrow Never Knows’ is thrown in towards the end, sounding enormous and still relevant, despite being forty years old. On this showing it’s about time we caught up with the Americans, and gave this band the recognition that they clearly deserve.
    - Paddy Burke, Art and Soul magazine

    http://www.artandsoulmagazine.com/issue18/


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