Bigger on the Inside

Worlds Collide

I’ve been finishing a lot of homework lately. This Apocalyptica album had been lying around for months. If I had written the review immediately after receipt it would have been a lot different. The album grew on me after a while. I was very disappointed when I first heard it. The resulting review was something that was somewhere between the two. I couldn’t make up my mind whether I loved it or was bored by it. What was certain was that I did not like it as much as their debut.

When Apocalyptica appeared on the music scene in 1996 with Plays Metallica by Four Cellos, they were busting the lid off a new can. Their unique blend of heavy metal and cellos was something really remarkable and daring. What was hard to fathom was their target audience. Those that liked classical music would have shunned the recording as sacrilege, and fans of Metallica were a little bemused. Their debut highlighted all of the similarities between classical music and the brand of metal made popular by Metallica. The idea was simple, unconventional, and brilliant. Just take four cellos and some classical arrangements of Metallica tunes, record them, and release to the general public.

Read the rest here: Apocalyptica: Worlds Collide < Music | PopMatters

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