Tagged: PopMatters RSS

  • Marc A. Price 8:15 pm on December 12, 2008 Permalink
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    Ranting, (W)riting and Reaction 

    After too long I turned my hand to writing a review the other night. If you are following me on Twitter then you will have seen that I mentioned that it turned in to something of a rant. I’m not sure what forced me to vent my spleen on this particular record (it will remain nameless for the time being) but even though the resultant rant was, well… ranty, it was entertaining.

    It reminded me of something that I said a while ago that writing bad reviews (and by that I mean giving something a bad review rather than writing the review badly) was pretty easy; turning a review into something that was even-handed is hard. It is not big or clever to tear into someones art due to laziness. Someone has sweat blood and tears over it. In the case of Axl Rose, someone has spent a large portion of their life working on it. That said, slagging the crap out of the record in question was pretty cathartic. It is not finished yet but here is an excerpt:

    The band has taken a template forged in the sixties and slavishly recreated it with little imagination. Guitars swirl, distort, and of course reverse. Vocals sound like a very pissed Phil Spector recorded them from the other end of an exceptionally long tunnel. There is even the conceit that there are two sides to the record like the compact disc that the recording is burned onto was never invented. There are not two sides. In reality, there is barely one song.

    …and so it goes on. I asked on Twitter whether ranting was still considered writing, one of my friends responded with the helpful advice:

    No. Ranting is vitriolic unfiltered garbage that emerges from the deep dark cesspit inside you.

    Writing is self-indulgent edited garbage that emerges from the creative side of your brain.

    I didn’t get around to thanking him. I think he was trying to help and he has a point. Self-indulgent edited garbage that emerges from the creative side of your brain cuts both ways. All art to a greater or lesser extent is garbage. Someone, somewhere will hate it with such passion that you will wonder why you bothered. The artist presumably bothers because s/he wanted to provoke an emotional response from someone, anyone. In that event then vitriol should also be an acceptable reaction. People like the above, nameless band or Axl Rose or Tracey Emin or anyone that puts something out into the public domain sets themselves up for such criticism. Furthermore, I argue that they do it on purpose. They open themselves up for attack from without, from people like me. Moreover, by writing reviews, ranty or otherwise I open myself up for similar attack. I guess we all just want to have our opinions heard and even recognition that someone can’t stand what you did might be recognition enough. I guess what my less than scholarly deductions are pointing to is the conclusion that tearing into a peice of art is fine because the creator would want that. Thus, giving me carte blanche to be mean in print to some poor deluded fool (or fools) who thought that they had produced a good record.

    Or I could be looking for an excuse to write more rants …because it was fun.

    To view more of my bile on follow me on Twitter @marcaprice

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  • Marc A. Price 12:34 pm on October 10, 2008 Permalink
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    Shed: Shedding the Past | PopMatters Review 

    Shed - Shedding the Past

    This could have been dull soulless dance music. It wasn’t, or at least not completely. Although you really need to be in the mood for it. I’m not most of the time. I think that I might have been when I listened to this record for the first time.

    Shedding the Past is a collection of eleven Detroit-style techno tunes by German techno engineer Shed. It is a record in the mold of Aphex Twin with a powerful skipping beat that is the trademark of this German hotshot.

    [From Shed: Shedding the Past < Music | PopMatters]

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  • Marc A. Price 12:29 pm on October 1, 2008 Permalink
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    Monkey: Journey to the West | PopMatters Review 

    Monkey - Journey to the West

    I wasn’t terribly impressed with this “soundtrack” of a stage show. There are a few good tracks but it is only worthwhile if you just want a souvenir of a show that you have been to. Still each to their own…

    Those Gorillaz have returned in the guise of a completely different primate. This one comes complete with a tale and a fully furred opera in tow. Who would have thought that Damon Albarn had an opera in him? In fairness, it is not strictly speaking an opera. It is a spectacle theatre piece that has more in common with Cirque du Soleil than Glyndebourne. Albarn and fellow gorilla Jamie Hewlett have created a nine-scene show that is a mixture of acrobatics, kung fu, lush sets, and the music contained on this recording. This stage production has proved to be quite popular in the United Kingdom. The dear old BBC adapted a track, complete with a specially made Jamie Hewlett animation, to promote their coverage of the Beijing Olympics. Furthermore, tickets soon go on sale for a special run at the O2 “Millennium” Dome, just like Prince. Things are looking good.

    [From Monkey: Journey to the West < Music | PopMatters]

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  • Marc A. Price 12:20 pm on October 1, 2008 Permalink
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    The Amazing World of Arthur Brown: The Voice of Love | PopMatters Review 

    The Amazing World of Arthur Brown - The Voice of Love

    The world of Arthur Brown is no longer Crazy, it is Amazing. It is kind of amazing that the man is still making records and is not a painter and decorator in Eastbourne or something. This album is a solid collection of tune with wonderfully over-the-top vocal performances from Mr Brown. I’m guessing he had a lot of fun making it. The cover tunes are really worth a listen and those that are nostalgic might like this. On the strength of this record I’d like to see him live. Although his crazy New Age ramblings as a hidden track did put me off somewhat. Still, if you can avoid that this record is worth a punt.

    What can be said about Arthur Brown that hasn’t been said a million times already? He is the archetype of the one-hit wonder. He is the rocker with wild onstage antics that have almost got him and others maimed and ultimately had him kicked off a tour with Jimi Hendrix. For the last 40 years he has been known as the man that screamed at the top of his voice, “I am the god of hellfire”, at the beginning of the only song he is known for.

    [From The Amazing World of Arthur Brown: The Voice of Love < Music | PopMatters]

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  • Marc A. Price 12:10 pm on September 25, 2008 Permalink
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    CIAM: Anonymous | PopMatters Review 

    Anyone that covers a Velvet Underground song on a record is already on shaky ground in my book. If that cover version happens to be terrible then the book is closed on them and they are no longer allowed to be my friend. CIAM are such a band. They will not receive a Christmas card this year. However, I know there are people out there that are curious. So, the record is free from http://www.ciammusic.com/. If you really must then you can get it from there.

    With track titles such as “Misunderstood”, “Here I Am”, and “Looking for Love” CIAM are pushing the right buttons for the disaffected youth. Jeff Shapiro’s vocals are a predictable baritone on most of the tracks, sounding not unlike a young Wayne Hussey at times. Furthermore, a spotty teenager with no friends probably wrote the lyrics. Not a great start.

    [From CIAM: Anonymous < Music | PopMatters]

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  • Marc A. Price 12:05 pm on September 24, 2008 Permalink
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    DJ Yoda: FabricLive 39 – PopMatters Review 

    DJ Yoda - Fabric Live 39

    This was a lot of fun and I did use the CD for a party. It went down a storm with only a few people asking “what the hell is this?” …but there are always such muppets at a party. It was my party and I’ll play what I like.

    The Fabric nightclub in London is one of the capital’s hottest venues. Many international DJs hit this club, which prides itself on its very broad music policy. The range of music played inside can be sampled by perusing the FabricLive Mix Series selection of releases, of which this is the 39th episode. DJ Yoda is in the house this time, and he takes full advantage of the huge palette afforded him.

    [From DJ Yoda: FabricLive 39 < Music | PopMatters]

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  • Marc A. Price 12:00 pm on September 19, 2008 Permalink
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    Lowlight: Bloodline < Music | PopMatters 

    I didn’t like this record at all. It did nothing for me and I do not condone or advertise it on account of its dullness.

    The cover of Bloodlines looks like it was lifted from an episode of the X-Files. It draws you in with its mystery, two people running into the light. They are running into the unknown, running from something equally unknown and unknowable.

    [From Lowlight: Bloodline < Music | PopMatters]

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  • Marc A. Price 11:02 pm on September 12, 2008 Permalink
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    The Death Set: Worldwide | PopMatters Review 

    Death Set - Worldwide

    Sometimes records come along that blow away all cobwebs and preconceptions of what music should be like. This one just make you think damned hard. It is a school bully of a record that duffs you up until you like it. It is lots of fun but you really have to stick with it.

    As usual here is an excerpt. The full review is on PM.

    Eighteen songs, 26 minutes. You just know that with statistics like that, the CD that you have put into you player is going to be out of the ordinary. The longest song on this album is two minutes and 24 seconds. To be honest if the songs were any longer your head might just cease to be in a fit of pique.

    [From The Death Set: Worldwide < Music | PopMatters]

    Listened to: Heard It All Before from the album “Worldwide” by The Death Set

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    • James 11:32 am on September 19, 2008 Permalink | Reply

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  • Marc A. Price 2:18 pm on August 14, 2008 Permalink
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    Apocalyptica: Worlds Collide – PopMatters Review 

    Worlds Collide

    Worlds Collide

    I’ve been finishing a lot of homework lately. This Apocalyptica album had been lying around for months. If I had written the review immediately after receipt it would have been a lot different. The album grew on me after a while. I was very disappointed when I first heard it. The resulting review was something that was somewhere between the two. I couldn’t make up my mind whether I loved it or was bored by it. What was certain was that I did not like it as much as their debut.

    When Apocalyptica appeared on the music scene in 1996 with Plays Metallica by Four Cellos, they were busting the lid off a new can. Their unique blend of heavy metal and cellos was something really remarkable and daring. What was hard to fathom was their target audience. Those that liked classical music would have shunned the recording as sacrilege, and fans of Metallica were a little bemused. Their debut highlighted all of the similarities between classical music and the brand of metal made popular by Metallica. The idea was simple, unconventional, and brilliant. Just take four cellos and some classical arrangements of Metallica tunes, record them, and release to the general public.

    Read the rest here: Apocalyptica: Worlds Collide < Music | PopMatters

    Links:
    Official Site
    Yahoo Audio Search

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  • Marc A. Price 1:44 pm on August 11, 2008 Permalink
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    Whitesnake: Good To Be Bad – PopMatters Review 

    Whitesnake - Good to be Bad

    I had a lot of fun with this review. OK I sound a little disparaging in places but I quite enjoyed the album in a funny sort of way. It reminded me of my youth. There is also a certain irony in the fact that I noticed Amazon is packaging this album and the new Asia album together. Isn’t nostalgia a wonderful thing?

    “It’s very butch. Very muscular…” says David Coverdale about the first Whitesnake album in 11 years. Pause for a while and take that in.

    The endless 25th anniversary reunion of the masters of hairspray metal is into its sixth year and has spawned Good To Be Bad.

    Whitesnake: Good To Be Bad < Music | PopMatters

    Links:
    Official Site: http://www.whitesnake.com/
    Label: http://www.spv.de/whitesnake/default.html (In German)
    Amazon.com download
    iTunes

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